Posted on Leave a comment

Montblanc StarWalker Platinum Resin Fountain Pen

Once in a while I find a good deal on a favorite pen. With a little patience, I’ve seen great deals and have met some great people. People are even advertising Montblanc pens from time to time. But sometimes you never know what you’re getting, as I found out through this exciting acquisition of the Montblanc 147 Traveller. Never heard of the Montblanc 147?


The one I have looks old too, with scratches and Montblanc StarWalker Platinum Resin Fountain Pen . The pen is made mostly of resin with a few sections with metal trim and of course the nib. It is very lightweight, just the way I like it.
I still have a lot of questions about the Montblanc Taipan 149 Calligraphy Pen. Just in case you missed it, I have a full video above with my thoughts and some writing samples so you can actually use it. I still think it’s a great pen. It’s not a cheap pen, and I’m amazed and impressed that Montblanc has done such a great job with it. I’m really pleased.
The tip is plastic, but I did find that it writes slowly and consistently – sometimes even quickly – and holds up well.
But for those of us who use fountain pens every day and collect them for aesthetics and practicality, a pen is a tool: it takes ink from the cartridge and transfers it to paper, but does so in a way that makes the most mundane actions (like taking notes) more interesting. A good fountain pen doesn’t actually require any pressure – it just slides across the entire page. Ink now comes in a myriad of colors, not just creating letters. It almost seems to decorate a piece of paper.


These prices depend heavily on the material used in the pen. Most were made of resin or plastic; some were encased in precious metal (usually gold or silver) and encrusted with jewelry. Others, such as today’s high-end pens from Japan, feature intricate, hand-painted designs. These aesthetics, while alluring, are actually clothing. In terms of performance, the serious fountain pen user overlooks the fancy body of the pen and focuses on the quality and style of the nib or “tip”. Within this subset, the variety and complexity that has developed over the centuries is almost endless, and there are equally endless fascinations and debates among pen enthusiasts.

Simply put, fountain pens fall into two categories: the new and the “old”. By most enthusiasts’ standards, anything made after 1960 is considered modern. Like many modern pens, sleek and well-designed, fountain pen experts generally agree that the highest-performing fountain pens ever made are the older ones. Mauricio Aguilar, a serious pen collector, has also restored old fountain pens and taught people how to write with them. He told me that he has seen very few fountain pens in the last 50 years.

I know that’s a bit nostalgic, but there’s a reason Aguilar feels that way. With a multitude of ancient tools, the maker’s craft reached the pinnacle of king of its kind at the end of his product’s reign. For fountain pens, this happened in the mid-20th century, when fountain pens still had no competition from cheap ballpoint pens and rollerballs, let alone computers and iPhones. Protected by their dominant market position, penmakers were thus able to invest in a variety of experiments, tools, materials, machinery, manufacturing stages, training,

Posted on Leave a comment

Montblanc Meisterstück Gold-Coated Classique Fountain Pen

For the first time here, I also chose the rose gold trim from Montblanc. I recently wrote about how pens with rose gold hardware (clips, cap bands, even nibs) are new to me, and this particular pen has been popular since January. The rose gold used by Montblanc has a more reddish tint, the opposite of the pale pink you often see, with subtle effects. Under certain lighting conditions, you may have a hard time distinguishing this finish from the standard Montblanc gold finish, but the difference is definitely there.


I pointed out above how some oversized pens are actually sold as artwork or status symbols, which means they’re big (usually?)! , you won’t really use them unless you have the Hulk’s hands. Writing. The Montblanc 149 is not one of them. Although skeptical at first, Montblanc Meisterstück Gold-Coated Classique Fountain Pen I’m now convinced that the 149 may actually be one of the better pens available for longer writing sessions. That doesn’t mean there won’t be an adjustment period if you’re used to writing with a slim writing instrument.
Don’t knock it before you try it: larger nibs on larger fountain pens (such as the Montblanc 149, Montegrappa Extra 1930) and, as far as I know, the Sailor King of Pen, offer a uniquely smooth writing experience.

Although I couldn’t find a confirmation sheet for the exact size, the handcrafted 18k gold nib seems to be comparable to the refills found in Pelikan and Montegrappa’s larger flagship pens. It’s a beautiful piece of work. As I noted in a recent post about sparse stubs, I opted for a wide range of stubs, which I think are actually stubs. The nib writes smoothly, wet and varied, with lines that are not wide enough for regular writing. You may not be able to use this nib for writing in calendars, but at least in my experience, it keeps a journal and is proficient at note taking.


First impressions aside, the Montblanc 149 is surprisingly light for its size. Despite the high-capacity piston filler fitted to the body, the filling system doesn’t add much weight and I can easily post or unpost it with the pen. One thing I had to learn was that after a period of adjustment, sometimes I had to change my grip, and as long as the weight of the pen wasn’t leaning too far back, the larger pen could write comfortably for long periods of time. . The balance on the 149 is perfect for me, so much so that I can post this pen with ease. When you write with it, your (or at least my) hand quickly gets used to the size, which is where I had trouble with the larger Pelikan models (M800 and M1000), including what felt like a heavier piston.

Posted on Leave a comment

Montblanc Meisterstück Platinum-Coated LeGrand Traveller Fountain Pen

Here, for the Meisterstuck (Masterpiece) range, you can view the entire current range and its specifications and prices. Broadly speaking, there are three main sizes, 145 (Classic), 146 (Le Grande) and 149 (which seems to be called just 149), plus the extra-small Mozart size. Filter down to show just the fountain pens and there are still 31 models to choose from, and that’s just the Meisterstuck line. Then you can chill out at your leisure before wandering into the shops best suited to your preferences and budget.

Or you can do what I did. It involves less planning and foresight, and is more serendipitous. I wandered into a local jewelry store to browse watches. There, I came across a glass counter display of Montblanc writing instruments and stopped to check out the prices. Montblanc Meisterstück Platinum-Coated LeGrand Traveller Fountain Pen This was completely hopeless, as all the pens were covered and there were few clues as to whether there might be a nib or a tumbler inside the cover. This provided the opportunity for a conversation with the assistant, who was happy to show me the pens.

She showed me a Montblanc 145, Meisterstuck Classique Platinum Coated Edition that she showed me and drew a great deal of attention. It is slightly thinner than the 146 and has a smaller nib. Also, it’s a cartridge converter pen, not a piston filler. The platinum coated fittings look really smart for black resin.

Take the pen, the body isn’t too slim for me. replica mont blanc starwalker Capless, at about 122mm, it’s a bit short for me using unposted text, but that’s not a problem as it’s beautifully posted, reaching about 153mm, making the device very comfortable and balanced. All in all, it weighs 21.7 grams. I mostly posted the pen and held it away from the nib.

As morbidly prepared as I was, I at least had a magnifying glass on me and looked closely at the nib. That’s what helped me. I saw a perfectly formed 14k fine polished gold nib, two-tone rhodium plated, with just a hint of daylight between the nib teeth as the gap from the vent to the tip narrowed. The tip material is a work of art. Completely symmetrical, the top of the tip is cut into a circle and the sides cut and smoothed so that it blends perfectly into the pointed teeth. The cusp teeth are of course perfectly aligned. Seeing it is a joy and all indications are that it will write very smoothly and effortlessly. The nib is a medium. Stores don’t seem to be the right place for customers to try to use a fountain pen before making a purchase. To be fair, it’s a jewelry store, but it’s almost as if they don’t understand that fountain pens need ink. And that’s okay. I had the confidence to buy that pen after seeing the nib. I asked for one that I checked out and not have the other in stock.